And who is Albus’s best and only friend? Scorpius Malfoy (Anthony Boyle), the son of Harry’s arch-enemy, Draco Malfoy (Alex Price).Īlthough I will abide by the “pledge” asked of theatre goers not to reveal the plot of “Harry Potter and the Cursed Child,” the scripts of the plays are readily available and Wikipedia and other online sources can supply the plot details. Albus finds himself isolated at Hogwarts and not particularly skilled at magic or sports. Albus is chosen by the Sorting Hat to be a member of Slytherin house, rather than his father’s Gryffindor house. Young Albus has his own problems living up to his celebrated father, the savior of the Wizarding World. Yet, Harry, lacking the day-to-day interchange of parent and child, never experienced growing up with his own father’s love, concern and worry, and is now himself an uncertain father. Despite the fact that Harry’s parents were killed by Lord Voldemort when Harry was a baby, Harry received a strong loving start in life and was fortunate to get emotional support from Professor Dumbledore and other teachers and friends at Hogwarts. Most of us first learn about parenting from our own childhood and either emulate our parents, or swear that we will never treat our children the way we were treated. The thrust of the two plays concerns Harry’s difficulties parenting his son Albus and Albus’s own coming-of-age. His friends, the now married couple, Hermione Granger (Noma Dumezweni) and Ron Weasley (Paul Thornley) are also there with their daughter Rose (Cherrelle Skeete). We watch a 37 year-old Harry (Jamie Parker), head of Magical Law Enforcement at the Ministry of Magic, now married to Ginny Weasley (Poppy Miller), at Platform Nine and Three Quarters at King’s Cross Station seeing his second son, Albus Severus (Sam Clemmett), off to Hogwarts for the first time. With satisfying symmetry, that epilogue forms the introduction to “Harry Potter and the Cursed Child.” In fact, much of the introductory dialogue of the first scene of the plays has been taken directly from the language in the epilogue of “Deathly Hallows.”
In the epilogue of the final (and seemingly interminable) book in the series, “Harry Potter and the Deathly Hallows,” 19 years have passed.
And, yes, I did see and appreciate the movies, although they lacked some of the charm and imagination of the novels. Although I read the novels, I also listened to Jim Dale’s liltingly perfect audio versions, which were their own distinctive pleasure. My heart was stirred by the coming-of-age tale of the orphaned boy who finds himself the leader on the side of goodness and light against the evil Lord Voldemort and the forces of dark magic. Rowling’s seven book saga about young Harry’s life at Hogwarts School of Witchcraft and Wizardry. The two terrific full-length plays (one matinee and one evening performance, separated by about two hours) that comprise “Harry Potter and the Cursed Child” are best enjoyed by devotees like me whose imagination has been captured by J.K.